Fighting Back Against Online Impersonation

A successful creator’s name and likeness are some of their most valuable assets. Streamers, VTubers, musicians, artists, and other personalities build audiences that trust their brand, and that trust is exactly what impersonators set out to exploit. As a creator’s following grows, it becomes increasingly common to find websites posing as the creator’s “official” site, storefronts selling unlicensed merchandise bearing the creator’s name or artwork, and marketplace listings designed to look like they come from the creator themselves.

These impersonation sites and listings do more than divert revenue. They can mislead fans into buying low quality or counterfeit products, expose fans to scams or data theft, and damage the creator’s reputation when those fans have a bad experience. Since impersonation sites can cause different types of harm, no single tool fits every situation. Understanding the options available can help you craft an effective enforcement strategy.

Why Impersonation Sites Are Different

Most creators think about DMCA takedowns as a first step, but copyright enforcement online depends on a cooperative middleman. When infringing content appears on a large platform like YouTube, Etsy, or Amazon, the platform has a strong incentive to remove it promptly, because the DMCA shields platforms from liability only if they respond appropriately to takedown requests. The same applies to established marketplaces where impersonating listings appear.

Impersonation websites and storefronts remove that middleman. When the website itself is the infringing material, the person receiving the takedown request is the same bad actor who built the site, and they have every reason to ignore it. Operators of these sites also tend to take deliberate steps to avoid enforcement, such as registering domains through privacy services that hide their identity, using hosting providers located outside the United States, and moving to new domains when one is shut down.

Standalone storefronts and websites, on the other hand, generally call for a combination of the strategies below.

Enforcement Strategies

DMCA Takedowns. DMCA takedown notices remain the most effective tools against impersonating listings on established marketplaces and websites. As mentioned above, platforms like Amazon, Etsy, and eBay, comply with DMCA takedown requests, usually provide intellectual property reporting tools, and generally act quickly on valid notices.

For websites and storefronts which aren’t run by large platforms are infringing, a takedown sent to the site’s operator is unlikely to accomplish much. The better target is the website’s hosting provider, which faces the same incentives as any other platform to comply. However, bad actors often anticipate this. They may hide the hosting provider behind proxy services or host the site in a jurisdiction where the provider has no obligation, and no inclination, to honor a DMCA notice. A takedown to the hosting provider is still worth sending, but creators should be prepared to take further action if the hosting provider does not comply.

Cease and Desist Letters. A creator, or their attorney, can contact a storefront or site operator directly with a cease and desist letter that demands the site come down and warns of litigation. Sometimes the threat alone is enough, particularly for smaller operators.

Search Engine Delisting. Creators can submit removal requests to search engines such as Google asking them to remove infringing pages from their search results. Delisting does not take the website offline, but it can significantly cut down the site’s traffic. Since many fans find impersonation sites by searching for the creator’s name, removing those sites from search results can blunt much of the harm even when the site itself remains up.

UDRP Proceedings. When an impersonation site uses the creator’s name in its domain, the Uniform Domain-Name Dispute-Resolution Policy (UDRP) offers a path to take control of that domain. The UDRP is an administrative process developed specifically to resolve disputes over domain names, and it is faster and less formal than litigation. A creator can work with counsel to facilitate this process.

To succeed in a UDRP action, the creator must generally show that (i) the domain is identical or confusingly similar to a trademark in which the creator has rights, (ii) the current registrant has no rights or legitimate interests in the domain, and (iii) the domain was registered and is being used in bad faith. If the creator prevails, the domain is transferred to them or cancelled.

It’s important to note that the UDRP addresses the domain name, not the website’s content, so a determined operator could move the same site to a new domain. Even so, taking the domain prevents the bad actor from using an address that easily misleads fans and consumers. The process also depends on trademark rights. A creator who has registered their name as a trademark is in a much stronger position than one relying on unregistered rights.

Where all other options have been exhausted, creators can pursue “John Doe” litigation to try to identify the owner of the store or site through court process. This is a powerful option, but a costly and time-consuming one reserved for instances of significant harm.

The Takeaway

Fighting against impersonation sites or listings is an ongoing battle, and the most effective approach usually layers several tools and strategies together. The best time to prepare is before a problem arises. A creator can take steps to register their name as a trademark and put the right business structure in place well before any impersonation occurs. Working with a lawyer who understands both intellectual property enforcement and the realities of content creation can help creators choose the right combination of tools to protect their brand, their fans, and their privacy.

Kevin Dong

Kevin is an attorney at Odin Law and Media focused on corporate and entertainment transactions. Prior to joining Odin Law, Kevin worked in both the technology and entertainment industry. Kevin is active in the Video Games, Tabletop Games, Content Creator, VTuber, and Anime industries. He can be reached at kevin at odin law dot com.

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